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Contemporary artifact meaning
Contemporary artifact meaning




contemporary artifact meaning

noun artifact a spurious observation or result arising from preparatory or investigative procedures.noun artifact a substance or structure not naturally present in the matter being observed but formed by artificial means, as during preparation of a microscope slide.noun artifact any mass-produced, usually inexpensive object reflecting contemporary society or popular culture: artifacts of the pop rock generation.noun artifact a handmade object, as a tool, or the remains of one, as a shard of pottery, characteristic of an earlier time or cultural stage, especially such an object found at an archaeological excavation.noun artifact any object made by human beings, especially with a view to subsequent use.noun artifact any nonnatural feature or structure accidentally introduced into something being observed or studied 3.noun artifact any object made by human work esp., a simple or primitive tool, weapon, vessel, etc.Art and Its Objects, Second Edition Cambridge: Cambridge University Press. On Art and the Mind, Cambridge, MA: Harvard University Press. ‘Expression as Expression’, Pacific Philosophical Quarterly, 67: 196–234. ‘Expressiveness as a Property of the Music Itself’, Journal of Aesthetics and Art Criticism, 59: 411–420.

contemporary artifact meaning

‘Expressiveness and Expression in Music and Poetry’, Journal of Aesthetics and Art Criticism, 59.1: 85–96. ‘Aesthetic Concepts’, Philosophical Review, 68: 421–450. Gut Reactions: A Perceptual Theory of Emotion, New York: Oxford University Press. The Focus of Blue Light, Composer’s Recordings Incorporated. ‘Biosemantics’, Journal of Philosophy, 86: 281–297. Sight and Sensibility: Evaluating Pictures, Oxford: Clarendon Press. Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art, Oxford: Blackwell. ‘Expressiveness as Hearability-as-Expression’ in M. The Pleasures of Aesthetics: Philosophical Essays, Ithaca, NY: Cornell University Press. ‘Music and Negative Emotion’, Pacific Philosophical Quarterly, 63: 327–346. Philosophy in a New Key, Cambridge, MA: Harvard University Press. ‘Review of Dominic McIver Lopes: Sight and Sensibility’, Dialogue, 46.2 412–414. On Images: Their Structure and Content, Oxford: Clarendon Press. The Corded Shell: Essays on Musical Expressiveness, Princeton: Princeton University Press. Contemporary Debates in Aesthetics and the Philosophy of Art, Oxford: Blackwell. Aesthetics, New York: Oxford University Press, 172–174. ‘Art as Expression’ in The Encyclopedia of Philosophy, Macmillan Library Reference USA.Įxcerpt in S. ‘The Concept of Artistic Expression’, Proceedings of the Aristotelian Society, 55: 313–344. Rumelhart (eds), Philosophy and Connectionist Theory, Hillsdale, NJ: Lawrence Erlbaum. Freedom of Mind, Princeton: Princeton University Press.

contemporary artifact meaning

Studies in the Way of Words, Cambridge, MA: Harvard University Press, 1–144. Studies in the Way of Words, Cambridge, MA: Harvard University Press, 213–223. Languages of Art, Second Edition, Indianapolis: Hackett. Art and Illusion, Second Edition, Princeton: Princeton University Press. ‘There are no Aesthetic Principles’ in M. ‘Aesthetic Qualities and Aesthetic Value’, Journal of Philosophy, 87.1: 23–37. Cummings: Complete Poems, New York: Liveright Publishing. Aesthetics, New York: Oxford University Press.įirmage, G.J. Cole (ed.), Nebraska Symposium on Motivation, 1971, Lincoln: University of Nebraska Press, 207–283.Įkman, P.

contemporary artifact meaning

‘Universals and Cultural Differences in Facial Expressions of Emotions’ in J. Knowledge and the Flow o f Information, Cambridge, MA: MIT Press.Įkman, P. Introduction to Aesthetics, New York: Oxford University Press.ĭretske, F. Meaning, Expression, and Thought, Cambridge: Cambridge University Press.ĭickie, G. The Philosophy of Art, Oxford: Blackwell.ĭavis, W. Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art, Malden, MA: Blackwell.ĭavies, S. ‘Artistic Expression and the Hard Case of Pure Music’ in M. Musical Meaning and Expression, Ithaca: Cornell University Press.ĭavies, S. Principles of Art, New York: Oxford University Press.ĭavies, S. Values of Art: Pictures, Poetry, and Music, Hammondsworth: Penguin.Ĭollingwood, R.G. ‘Esemplificazione ed Espressione: Le Teorie di Goodman sono Sbagliate’, Discipline Filosofiche, XV. Aesthetics: Problems in the Philosophy of Criticism, New York: Harcourt, Brace and Co.īender, J. Oxford: Oxford University Press.īeardsley, M. Painting and Experience in Fifteenth-Century Italy, Second Edition. Art and Visual Perception, Berkeley: University of California Press.īaxandall, M.






Contemporary artifact meaning